the next smash hit and title track from ben monos last years album comes with vocals by female miami bass crew yo majesty. brand new remixes by uk bassline terrorists loose cannons and lorenz rhode in hip house stylee. also including an electro punk remix of midnight sun by dibaba.

reggie b has been working on music by himself since beginning of his career. but in 2007 he was suddenly gotten attention in the new school beat scene via myspace, had been airplayed from opinion leaders like benji b and gilles peterson, then just put out his solo debut album go. this is first of 2 ep series off from the album. we r here is produced by the instrument genius, motor citys best kept secret saadiq, the 1/2 of platinum pied pipers, who is also going to drop his first solo joint from circulations. reggie b delivers the next level mid west funkiness over the detroit manner head banging of this tight minimal beat. on this intergalactic p funk biz, japanese beat trio super smoky soul twisted with opposite direction of arrangement into dreamy hip hop psychedelia. for all the beat geeks they serve another track of doper spaced out beat cosmos as re edit. including a bonus song of the album title song go, the manifesto of his music with sick bass & beats by lenny d, the producer of innatesounds. from 4lux recordings, reggie b also released another project future music with slum village drummer daru recently

housing things is a hip shakin techhouser with crazy vocal snips. lee mortimer and big hair deliver straight jacking electro edged remixes. while i be blowin on the flipside goes the more deeper way of house music. a package you cant afford to miss!!!

the kazey & bulldog picture disc is followed by the first d2s release from our hero rod lee - a baltimore legend in his own right and in our eyes the no. 1 club producer, bar none. this super aggro dude has serious issues. he just needs to open his mouth and kids cry flames. for his first d2s release, rod commits re-mastered versions of two of our favourite cuts produced by the man. we first heard >understand< when we scored a bunch of scottie bs ebay auctions, and to this day its one of the best baltimore tracks ive ever heard. you can play this sh*t anywhere and the crowd just freaks out. hip hop heads love it, techno heads love it, even your girlfriend loves it. we coupled it with rods simple but ultra effective remix of the eurythmics classic, >sweet dreams<. when the catch an attitude tour dropped in on our club in glasgow, a-trak dropped this beast for all of 30 seconds and people went nuts. bannanas even. you could argue that the eurythmics remix thing is overdone and outdated, but if you did so, wed know for sure you hadnt heard rods version. anyway... we tracked it down and got it on the flip, so really this is more like a double a. both cuts are re-mastered (but still raw like the day they were made) and cut loud on heavy 12inch vinyl

one of japans most intriguing graphic artists >baiyon< has also been producing ethereal and engaging tracks since 1998. having journeyed through cut up hip hop house and dub regions under his conceal moniker, d1 invited him to perform two ecstatically received live sets as baiyon at dublins deaf festival in 2005 and in 2007. now for our 41st in the d1 catalogue we are presenting 4 flawless minimal >trecks< of deep space activity. first up is >s soup< a slick fusion of traditional japanese block grooves and drum machine that climbs its way up into a cloud bursting deep dub house melody explosion. side a is completed by a remix of aforementioned track by south african dj/producer >shane berry< of synewave and trapez fame. the mission continues through >the middle< showing a slightly tougher side to this usually light hearted artist. the plate concludes with a stunning bouncy deep jerky house number >can ride, can walk, cant wait< sweet deep melodies dubbed out over club chuggin beats and a red hot squidge bassline

big with fabrice lig, funk d’void, dj hell, jimpster, steve bug, 2000 and one, michael mayer, karotte, sebo k, kiki, gregor tresher, satoshi tomie. in 2001, art bleek started to release his first tracks on compilations. he played the saxophone alongside deejays and started spinning an eclectic blend of jazz, nu-jazz, broken beats, bossa-nova, world and electro jazz records in hip parisian bars and restaurants himself. at the end of 2004, art bleek signed a record contract with lounging records. he released his first album there, followed by a single, two eps and a remix album.

aside feat a peaktime electro flavoured edit of eves tambourine. flip for say what feat benzo - a massive hip hop flavoured breaker and shake the pressure that is based on the mylo mega hit

tony lionni is the new signing here at versatile. born in liverpool, his love for the music was passed on to him by his father, a record collector and former dj, who introduced him to crate-digging at the early age of eight. his roots stem from black music. hip-hop will become his musical bases before he discovers the acid-house explosion at the mythical hacienda in manchester. he naturally starts mixing in the late 80s/early 90s, playing a mixture of rare groove, deep-jazz, deep house, etc. he then turns to production and is noticed by gilb-rs fine-tuned ears who signs him on the spot. releases on labels like wavetec and mule musiq are planned further in the year. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything

philadelphia hip hop quintuplet plastic little has made quite a name for themselves this past year, with singles the jump off, and crambodia (featuring ghostface).

when i first started making the drum on my mpc it sounded like a battle of drums i then added some stabs from the machines, trying to make it sound like the oldschool chicago tracks. this track is all about editing, drum programming and of course the inimitable tap repeat touch that only the mpc can generate. the end result is ninted house, a pure floor killer for all you real house heads. the clash is not a reference to the band but i felt the track goes well with ninted house it has the same mpc groove. stabs and hip hop sampled voices that remind us of those kind of tracks, where editing and sound mixing are more important than the musical elements. its that breadth in house music that i love. enjoy those two floor killers and dance ur ass off! franck roger

bbe records have teamed up with dj/producer mr thing, to dig deep into his extensive collection to compile a series of albums of rare and sought after breaks. this series reflects brilliantly on his dedication to digging for those untouched and unrivalled samples and breaks as you hear him use in his dj sets. as a dj, mr thing never fails to engage the crowd with his winning combination of hip hop and funk breaks spiced up with his legendary mixing and scratching skills. the first installment in the five part strange breaks & things series contains superb songs, some you ve probably never heard of, some which may make you go: i recognize this sample! because it was once used as the backdrop for a classic hip hop track. if you liked the legendary strange games compilation series on bbe compiled by the likes of kenny dope & dj spinna, you ll love strange breaks & things.

combining defiant hip hop lyrics with forceful drum mechanics, real talk & timeline both dark futuristic funk coming forth with a very industrial, often abrasive style, both tracks have acquired the support from the likes of dylan, dieselboy, evol intent and more...

rekids comes here with an electro/hip hop fusion by jjak hogan

with >less talking, more dancing< on the a-side of this release he presents an absolute club monster for all those who want to find out, how deep a slide control can actually be slid - minimal disco deep house crossover for the peak! together with alexander p.j. geiger (aka nass) he is riding a bass line that pushes you inevitably towards the dance floor. with >the end of the world< jake conjures up his very own doomsday scenario. deichkind and jake, a cooperation that creates the kind of future hip-hop that has made his live sets so unique

cratesavers releases two fantastic tracks produced by the almighty dj surgeon. he is one of the creator with godfather and dj nasty of the detroit booty/ghetto house style. as they say horny music for horny girls, that make them wet. in detroit, this movement is as popular as hip-hop and now it’s coming over europe and asia so get ready to slap some booties. very limited copies available

in the beginning the was a dream, a dream to become part of the living womb of good music. a dream of being real, true to myself and i set this dream to fly high. days and years passed by and i didn t seem to find response but one day in the arkest hour came the light and then i knew i had to hustle it s a song about my determination to express myself widely whitin the realm of good music, won t be selling my soul, won t be taking the easy path, its all about what is real, training harder and harding until i get what i want: the pure sound of goodness for the dancefloor, for my life and the whole world. that s how i hustle. abicah soul confuzed well this track started as another track but i took the sounds from anohter track put with this that how i came up with the idea confused .i started listening sounded good i stuck with it.onw word deep stephen rigmaiden jeepin basically jeepin was done and i was listening to acapella s for like 2 weeks trying to find the right vocal snippets. my thoughts were how was i going to get franck s interest? i knew the track was done but for him to pick it up it needed a vocal. then i came across the perfect vox. i used a montage of a few different vocals, some hip hop elements, some jazz elements, some gospel elements, ill leave up to you to decipher. i knew i wanted a raw, kinda hip hop type of feelingas well, something you can get on the dance floor and go uggh!, that s my shit!! or damn i gotta get in that circle and show em whats up! i made it for the dancers out there, b- boys, house dancers , or jus ya regular club kids. trying to get the crowd hype is always my intentions , i feel this track does jus that. now get on the dance floor and recognize the sound!

big nasty electrofied beats with some oldskool flavour on top, yeah baby this is the way we like it! soul conspiracy adds some dirty funkness with his mix. getting down in the breakdropping some oldskool hip hop beats.

hottest rnb & hip hop incl janet jackson, pitbull, bow wow & omarion ft chris brown , timbaland, 50 cent , young dre ft nate dogg & e40 !!!

undergrounding darker electro stuff styled up with some hip hop vipes & vocals.. very limited

get down features the vocal talents of mc zub is set to become the next party anthem. its got all the right ingredients, infectious groove, big bassline, catchy vocals and melody, that will have you singing this in your head for days. the hip house version is a real jackin track with plenty of extra mad synth action to keep it twisted. the minimow mix is a stripped back groover with an intense brooding vibe for the darker moments.

long time activist on the french electronic scene, léonard de léonard is back after two critically acclaimed albums, successful collabs (his duo with maxx aka mcuhoh from the goats was a rated as one of 2006 best french live acts) and a departure to berlin. part of the ekler o shock roster (data, danger, terry poison), léo is a talented producer whose influences vary from classic techno and old school hip hop to all the modern forms of digital grooves & ghetto musics. now back with an ep dedicated to the dancefloors, in the form of a tribute to horror cult movies, léo asked his new berlin friends chris de luca (ex. funkstorung) and phon.o (shitkatapult), and paris rising kids donovan to remix his single. the result is here, catchy as a scream, hot as hell!

okain, 23 years old dj from paris has released his first digital record as a solo artist on robotronic records last september which got support by artist such as chloé, locodice, djulz, francesco farfa… a bunch of secrets ep include 3 tracks with okains contemporary vision of the oldschool house music. using deep house synth and hip house vocal gimmicks okain creates his unique style. all tracks are suited for the dancefloors and will bring a fresh vibe to your house, techno or minimal sets!

anhangueras gangsta melody is a funky house affair with funky guitars, great horns and some hip hop vox snips. the a 2 track by easily influenced is a jazzy, techy edged house roller with some crazy vocal snips. flip for basic skillz back 2 reality - a cut up techhouse monster with cool drums and a lot of well placed samples. another winner from the robsoul camp

the big follow up of h.i.p. s first release on walnut records is made by bobnic and it s another big release! on the flip side youwill find a remix by h.i.p., the guys behind club caviar

incl strong hip hop by lil wayne & g-unit ! on the b side finest rnb by chris brown & usher !!

great hypnotical techhouse original by kiki and a more hip shakin zander vt remix

phat selection!!! electro, hip house, breaks & chicken lips fans aufgepasst….

from the four corners of the globe (sort of) comes a collection of some of the hottest club bangers 130bpm has ever seen. first up is dangerous in the 80s from kid who (brixton) who managers to unite the strange pairing of calvin harris and busta rhymes to make an old school electro tinged post classic combination. t wrecks (toronto) is next out the box with stabs, cut ups and the think break that turns timbalands tune into a baltimore anthem. estaw (amsterdam) takes the hip hop anthem of all hip hop anthems, breaks it down, builds it up, bobs, weaves, throws a right hook, throws some ds on it and throws the dance into a frenzy. last but not least, jim sharp (london / toronto) re animates talib kwelis ode to the fairer sex into a fidgety, bumpy, electro slab of sound that makes feminine undergarments moist.

electro flavoured hip shakin techhouser with a dark male nu skool vocal snip. includes jorgensen and marc leaf remixes

cheecky chicago house style edits of some hot hip hop and r&b tunes.

quentin harris revamps in his typical orchestral style a recent r&b/ hip-hop hit

don cash is the canadian electronic hip hop wunderkind with the liquid flow, who caught the attention of the underground with his disco wreck 12inch on headman. his second treat in new-wave rap called 2k7 is straight old-school production with heavily snythesized basslines and crunchy 8-bit rhythms. additionally zongamin have given >hey there< a funky, bouncy treatment, while on the flip kitsune raising stars punks jump up deliver a rejuvenated version of disco wrec

rave-beeinflusst, in hip hop gebadet & äußerst dancefloor-tauglich. biestige vocals, schmetternde drums & kranke sounds synthetisieren sich zu einem kinnhaken gegen den einheitsbrei im club. mit ben mono mix

run and operated by laurent pastor from paris, astro lab recordings is home to many artists producing electronic music in many styles. the main idea of the label is to try to find new and confirmed artists in a real full spectrum of music, from electro, hip hop to indie, thats the guideline of astro lab. first on board is pilooski, after his recent collaboration with d.i.r.t.y and his amazing edit of frankie valli >beggin< pilooski delivered for the first shoot 3

deadset return to front room with their third single tick tock from their album keys open doors. deadset set the bar impressively high. based on a simple sample sound taken from a grandfather clock that stands in the hall way of the studio where most of the album was written, this track perfectly illustrates the organic house feel that defines the deadset sound.the a side is a perfect late night/early morning dance floor session on wax. made for dancing, its heavy bottom end works perfectly with the vocal elements and grandfather clock to create a truly memorable piece of audio.the b side features the tough stripped back dub efforts of none other than man of the moment and reigning title holder of worlds biggest deadset fan, jesse rose. effortlessly powerful and designed for the heads down, hip wigglers amongst you.is it any wonder that djs like jesse rose, laurent garnier, dj t and switch all put their hands up in class when asked if they re dead certain about deadset.

breakdance has all the early electro hip hop influences but santos brings a classic sound bang up to date. oldskool drum sounds groove alongside acid bleeps, crunchy synths and squelchy bass. any b boy or b girl will be body popping along to this for sure. its been included on a new elite force compilation for lot 49 due out in november so its looking to be a biggie already. the echobox is a proper twisted club banger that is purely designed for peak time devastation. the tribal groove is crushed to bits as are most of the elements, which is a recipe for intense gritty head twisting.

for its 12th release, the good peeps at guess who are dropping the goods with this four track sampler from a fine roster of underground stalwarts. choice jacking, chicago and r&b booty flavors as we ve come to expect from the label, with tommy largos jazzy saxes and filtered grooves abundant on need sum money, while buck nakeds cool rhodes keys and buzzing bass turn the tribe called quest classic stressed out into a smooth deep house affair. busys took a pill is a dirty south hip hop housey joint while phonograms really down is a cool party track with r&b vocals galore. excellent dancefloor and party material here

hip hop double incl playaz circle feat lil wayne & t.i. ft alfa & busta rhymes!!!

untitled flow, is an hypnotic, brave and electronically bouncing track full of pride, which answers the question seldom asked these days, what was hip hop actually all about - both musically and regarding its content? “untitled flow, revamped with italy’s own mario pagliari complimenting this remix on sync with a nice edgy and slick bass tone driven beat that marks the impressive return of a voice, a woman, trained journalist, mother, singer and prize-winning poetess.

an acclaimed young five piece from leeds, stateless have already displayed their mastery of beat driven guitar and turntable rock on previous releases. but their third single bloodstream, is their masterpiece. a 21st century blues ballad built from cinematic hip hop beats, super heavy bass and perfumed piano. it sounds both heartbroken and drunk on its own romantic intoxication. the berlin based producer and remixer henrik schwarz, one of germanys most respected djs, brings his trademark love of jazz and deep house to his version. schwarzs remix re engineers the track as a sleek dance tune, speeding up chris vocal into a restless, nervy, emotionally naked torch song. by contrast, the chic parisian re edit maestro pilooski strips the track down into a cubist collage of rhythmic throbs and sparkles, with a staccato piano melody pulsing through it like a heartbeat. its a playful and vibrant fusion, where soul baring yorkshire poetry meets sleek french disco chic.

excellent funky hip hop/soul flavoured breaks 2 tracker

dj dkline & red polo with 3 hip hop flavoured booty breaks edits

south carolina rapper lil ru mixes the best of the areas signature sounds to create his own style of southern hip hop

skat, the paris underground groove machine, the ever banging and so respectably personal sounding producer is onboard with us at sthlmaudio! mais oui!!! fred aubourg a.k.a. skat made his first musical education in the early 80s in rouen by listening his father during his radio show. hidden behind the mixer, he discovers artists and musical styles which would soon become essential for him, and would naturally lead him towards house, hip house and hip hop as well. he will then build his first loops with a k7 recorder in the mid 80s... skat comes here with a deliberately house ep. and it makes us all happy, because weare tired of the sterile, tired of the clicks with micro kicks

hip shaking electrofunker. includes mixes by meik, the whelpies and isterik people. not to be missed

mad hip hop/downbeat record record featuring sensational (formerly torture who recorded an album, way back when, with the jungle brothers). the dub on the flip has had heads jerking here since the promos came in. truly heavy and one for fans of theo & rednose

jean jacques perrey, the godfather of space age pop, meets the undisputed champ of left field moog beats to create one of the most unusual records of the year so far. an eclectic but accessible mixture of electronica, dnb, disco, hip hop and beyond. jean jacques perry is a legendary figure in the history of electronic music having worked with edith piaf, walt disney, fatboy slim, dj premier and air

nice price deal !!! having previously recorded disco sucks vol.3 for bill brewsters disco sucks label! this 12 is actually his first release under this name, and what a way to start. a. takes on n.e.r.d she wants to move featuring the hip hop allstars (q tip, de la soul, jungle brothers, native tongue) and turns it in to a disco hip house monster! a guaranteed floor filler! b1. get down, samples the classic new york disco punk funk tune connie case, and turns it into an electro disco house belter. b2 is a down tempo baldelli style, cosmic/slo motion flavour, ideal tune for the beginning or the end of the night!

groovements 4th vinyl release introduces one of the finest portuguese djs and one of the labels main activists. shifting destiny is just what we ve all been waiting for a diverse and challenging record ready to be played in different environments. the opening track is a hybrid electronic soul tune with vocals from melo d, the bluest of the afro portuguese singers. then comes the love for hip hop and cosmic music in the shape of a vibrant collaboration mastered by broadcites main man troy.the b side keeps that irresistible dance appeal alive with hausers blues and ends in style with lata dog providing the perfect musical vibration to kaspars programming, turning raindown into a great urban song for radio and club.